EXPOSICIONES

Ravens 烏

Masahisa Fukase

29 may. — 8 sep. 2024

Círculo de Bellas Artes

— Madrid

Masahisa Fukase, Ravens, Erimo Cape, 1976 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Erimo Cape, 1976 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Noboribetsu Hot Spring, 1977 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Noboribetsu Hot Spring, 1977 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Rebun Island, 1978 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Rebun Island, 1978 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Wakkanai, 1975 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Wakkanai, 1975 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Erimo Cape, 1976 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Erimo Cape, 1976 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Seikan Ferryboat, 1976 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Seikan Ferryboat, 1976 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Kanazawa, 1986 © Masahisa Fukase Archives
Masahisa Fukase, Ravens, Kanazawa, 1986 © Masahisa Fukase Archives
Esp

Masahisa Fukase irrumpió en la escena fotográfica japonesa en los años 60 del siglo XX, desafiando las convenciones de la época y explorando temas emocionales y personales en una sociedad en transformación. Fusionó sensibilidad artística con destreza técnica, siendo un innovador en la difusión de su obra a través de revistas y fotolibros, los cuales también estarán presentes en esta exposición.

Su extensa serie Ravens,烏 (1975-1986) es, en conjunto, una obra maestra que trasciende fronteras culturales y temporales. En ella, Fukase explora la soledad, la melancolía y la obsesión en un dramático viaje personal. Las imágenes de cuervos, en blanco y negro, capturan la dualidad de la vida y la muerte, resonando profundamente en el espectador.

La importancia de Ravens, serie que por primera vez se expone de manera exclusiva en España, radica en su capacidad para evocar emociones y reflexiones existenciales a partir de la búsqueda interior de Fukase como artista. Al identificarse con los cuervos, nos invita a explorar el alma humana. Karasu [Ravens, en el original en japonés] ha influenciado a generaciones de fotógrafos, consolidando a Fukase como pionero de la fotografía del Yo.

Eng

Masahisa Fukase emerged onto the Japanese photography scene in the 1960s, challenging the conventions of the time and delving into emotional and personal themes in a society undergoing transformation. He melded artistic sensitivity with technical prowess, innovating the dissemination of his work through magazines and photobooks, which will also be featured in the exhibition.

His extensive series Ravens, 烏 (1975-1986) is a masterpiece that transcends cultural and temporal boundaries. In it, Fukase explores solitude, melancholy, and obsession in a dramatic personal journey. The black and white images of crows capture the duality of life and death, resonating deeply with the viewer.

The significance of Ravens (we present for the first time in Spain an exhibition dedicated exclusively to this series) lies in its ability to evoke emotions and existential reflections stemming from Fukase’s inner artistic quest. By identifying with the crows, he invites us to explore the human soul. Karasu has influenced generations of photographers, solidifying Fukase’s pioneering role in self-reflective photography.